‘THE PENDING STATE OF EXPECTING’

 
 

‘THE PENDING STATE OF EXPECTING’

 
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I’m writing this in a haze…

A haze from sleepiness because now I’m a day overdue, and my body and mind have been ready day and night for weeks, for the wonder growing inside me to enter into this world.  A haze from marvel, worry, bliss, doubt, and hopefulness, all mixed up into one foggy existence about how it will all turn out. And when I look at this image, created (now what feels like so long ago) just a few of weeks after we got the big positive news that we were expecting, I realize we’re still in that pending state. It’s just a bit different.

“The big news came with an indescribable happiness. And an itch to see what the future would hold and an eagerness to make the very best of it all. Yet it took about 2 seconds before some sort of sense of protectiveness set in. And angst. And I started to wonder how to possibly move forward the best way, and what would lie ahead, especially when time went by sooo slowly. And if this all could possibly be true when it felt so utterly unreal. It was a bit like living and moving slowly forward in a dreamlike state. Being wide awake, but the world still feeling so surreal.”

This mix of feelings, both great and less enjoyable, made the head spin a bit and to me, who really likes control and to know what to expect from the future, it was a bit difficult to grasp. We talked a lot, me and Andreas, and we noticed that we shared very similar feelings. And that we knew that together we can always face anything and move forward no matter what lies ahead.

And so one very early summer’s morning, some might call it night, I woke him up to go for a drive to our nearby lake to visualize and capture the feeling of this pending state of expecting. To always remember this incredibly love filled, confusing, and wonderful time of life.

(02)

I’m still pending. Expecting.

Now at the other end of the same pregnancy, but in a very different physical state, I’m still pending. Expecting. Not knowing exactly how to move forward, and what will lie ahead. And I just have to realize it’s part of life.

And that I need to let go of that control and just trust that my body and mind will take care of it the way it’s meant to do. I, being a biologist academically, have to trust my thoughts telling me that my body was built to do this and it will probably work out alright. My mother did this 3 times. My grandmother Lilly did this 8 times, although unfortunately only 7 turned out truly well. And my great-grandmother did this no less than 12 times! That’s some heritage to carry.

And I surely will do my best to carry it well. And I truly hope that next time I’ll write you I will be more knowledgeable. And less pending. And certainly, a really happy mother.



conceptual portrait, Göteborg, pregnancy, mother, motherhood, maternity, couple, flight of birds, archipelago, ocean, pyjamas, baby
BEHIND THE SCENE: Testing the remote.


conceptual portrait, Göteborg, pregnancy, mother, motherhood, maternity, couple, flight of birds, archipelago, ocean, pyjamas, baby
BEHIND THE SCENE: From the shore at Delsjön.

~Have you gone through something similar yourself? Feel free to write a comment below to share your thoughts and help each other out~ 🙂



Live TV interview for Kamera & Bild at Fotomässan 2015 – ‘CREATIVE PORTRAITS WITH JENNY JACOBSSON’

 
 

Live TV interview for Kamera & Bild at Fotomässan 2015 – ‘CREATIVE PORTRAITS WITH JENNY JACOBSSON’

 
 

A very pregnant and happy me was interviewed directly from the tv studio in the fair hall at Fotomässan (Photo Fair) 2015 by Kamera & Bild about how I work with my creative and imaginative portraits.

Fotomässan Stockholm is the biggest photo event of the year in the Nordic countries and Kamera & Bild interviewed fantastic photographers like nature photographer Mattias Klum, Pieter ten Hoopen, Emma Svensson (Rockfoto-Emma), LisaLove, and Sophie Odelberg. They were also showing the latest technique, and discussing photo trends. See my live TV interview above and check out the other interviews at Kamera & Bild.

I was invited to do 2 different talks during the event and the other one is a talk at the big stage for Moderskeppet on ‘The road to creative images that evokes emotions’. You can watch it here!

feature, kreativa porträtt, Kamera och Bild, Photo Fair, Stockholm, process,

feature, Kamera och Bild, Photo Fair, Stockholmfeature, Kamera och Bild, Photo Fair, Stockholm

(Images from Kamera & Bild)

‘THE ASCENT OF OUR DESCENT’ – imagining the effect our actions have on our environment

 
climate, conceptual, water dress, fine art, Parallels, portrait, statement, environment, increasing sea levels, global warming, sea, queen, witch, floral art, hairstyling, stairs, seagull, staff, sea creature, woman of the sea


‘THE ASCENT OF OUR DESCENT’ – imagining the effect our actions have on our environment

Just imagine what would happen if we continue like we do, and the sea levels rise.

 Just imagine our coasts and their cities, whole islands and island nations, flooded. And with them ecosystems, entire species of plants and animals, in risk of endangerment when the ocean is claiming victims. It takes so little. Less than I personally had imagined. And it’s the result of our human-induced climate change. We are causing this risk. Isn’t it time for more of a global consequence thinking? We are all placed on this small planet. We only have the one. It’s about the choices we make today. We can not postpone acting.


‘The ascent of our descent – I’ and ‘The ascent of our descent – II’ are highly connected to the reflection about our environmental paradox I created in ‘The incongruity’. They are all part of my series ‘Parallels’ and can be VIEWED IN FULL SIZE ON MY ART PORTFOLIO SITE.


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I’m so proud of and incredibly fortunate to have gotten the chance to work with the team behind these two images. When minds alike meet up there can certainly be sparks flying! Love you guys. And thank you.

photography |  JENNY JACOBSSON
floral designer | SISSEL WILLBRO of FRÖKEN BLOMMA
hair stylist | JENNI WIMMERSTEDT
model | NAZANIN ZAREI
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‘THE INCONGRUITY’ – a reflection about our environmental paradox

‘THE INCONGRUITY’ – a reflection about our environmental paradox

It hits me all the time.

It hits me when I’m in the forest and see that shiny container sticking out from the green moss. Or when at the seaside and that garbage bag is waving back and forth between the sand and the water. Back and forth. Back and forth…

Like that plastic, glass, or metal ever would decompose.

It strikes me all the time. The incompatibility between our ways of consumption and our will to live environmentally friendly. The way we are using up our Earth’s resources even though we all know that our way of living is utterly unsustainable. I know it. You know it. Yet we all still together don’t do enough to change it. Not. Enough. We should not fool ourselves. Only we can change it. We all live with it. Act on it. Dress in it. The environmental paradox. The incongruity.


‘The incongruity’ is part of my series ‘Parallels’ and can be VIEWED IN FULL SIZE HERE

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photography |  JENNY JACOBSSON
model | SELF PORTRAIT
assistant | AMANDA FALKMAN
design | JENNY JACOBSSON and AMANDA FALKMAN

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‘HIDE AND SEEK’ – The story behind the portrait at Sandsjöbacka

‘HIDE AND SEEK’ – The story behind the portrait at Sandsjöbacka

South of Göteborg is a nature reserve we drive by

each time we go visit my parents-in-law. It’s right there next to the highway, stretching out in all its glory, a heathland making my mind go absolutely wild. I’ve been thinking about shooting there since 2009 when I started to pass it by when I met Andreas. This summer it was time… This is the story behind the portrait at Sandsjöbacka.

I remember sketching the idea out in the middle of a sleepless night. I snuck out of bed at about 2 or 3 am while Andreas was sleeping, snatching a notepad out of the dark on my way into the bathroom. Sitting there with bare legs on the cold tiles I wrote pages about a constant search through life, questions about truths not always visible, and actions taken.

Notes and sketch of concept

The story of ‘Hide and seek’ is heavily based on the transition I have done in life. Being part of my series ‘Parallels’, it carries the research I so often revisit in my work.

The idea is also heavily influenced by something I remember my grandmother say when I was a child…

“If you bring heather inside the house,
you bring death in with it.”

That old superstition was the foundation of this exact location and for me, a big part of this story.

Behind the Scenes of the shoot

To get to the location we had to park a couple of kilometers away and hike on one of the trails. Fortunately I’m blessed with the kindest most patient husband, and assistant, ever. So we took the photo gear we needed on our backs together with the shovel, and off we went. On the way there we passed through some truly lovely forests that I just have to go back and shoot in at another time. Maybe for a portrait of any of you out there?

Map and meadow | Sandsjöbacka

This was going to be a self-portrait, wearing one of my old business dresses that I wasn’t keen on hiking in. So getting my hair done beforehand, with a messy bun hinting that the woman had been at it for a while, was ok but I changed into my outfit when we had arrived.

Andreas on the hiking trail | Sandsjöbacka

When arriving at the heath we spent some time looking for the optimal spot to shoot at, with a great undisturbed view and where a lot of the beautiful heather could be seen. We didn’t have to look for that long. Since I had the entire image planned out beforehand, all that was needed was a quick change of clothes, some rigging, and then we got to it.

Behind the Scenes of ‘Hide and seek’

The shoot went quite smoothly even though we took our time to not stumble around destroying any of the heather.

And luckily it went quite fast, because the mosquitos were ruthless, as can be seen by taking a look at Andreas’s legs the day after.

Mosquito bites | Sandsjöbacka

But we both agree, that it surely was worth it.

Love,
Jenny

HIDE AND SEEK’ IN FULL SIZE HERE

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INTRIGUED BY IMAGINATIVE PHOTOGRAPHY?
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How to frame and hang photo art in your home

How to frame and hang photo art in your home

Whether you already have an image for your wall or considering getting one, there are always questions that will arise about how to frame and hang your photo art. To help out I therefore put together a nifty guide, all for free, for questions about:

Size
Frame or no frame?
Glass and alternatives
Why a mat?
Outsource or frame yourself
Placement

Good luck, and I hope you will get to enjoy your photo art for many many years to come!

GET YOUR GUIDE HERE IN

ENGLISH:

SWEDISH / SVENSKA:

Interested in purchasing beautiful photo art prints in Limited Editions from JENNY JACOBSSON? Read more here.

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In the spotlight of ‘f11 Magazine’ – 27 page feature and interview

In the spotlight of ‘f11 Magazine’ – 27 page feature and interview

“Jenny Jacobsson is a Swedish photographer from the city of Gothenburg. Her mission is to create a narrative, using expressive and emotional imagery. From concept, through construction, capture and post production, her images hint at stories where the impossible really does becomes possible. It’s a far cry from her previous work in neurobiology and the satisfying result of a decision to follow her heart and embrace her passion for creating conceptual imagery.
Jenny Jacobsson – Storyteller

Tim Steele


That is the description for the big feature and interview in f11 Magazine, written by publisher and creative director Tim Steele. I’m so happy to have been given the opportunity to be part of this amazing magazine written all the way from the other side of the globe, in New Zealand. In this October issue the magazine covers images taken from all across Australia (winning work from AIPP APPA Awards 2014), to the desert in southern Africa (Joshua Holko), finding its way to the northern climes of my home in Scandinavia, reflecting the global approach by f11. And it’s exciting!



Some of my favorite interview questions from the feature is

• Your subjects obviously inspire you to tell their stories, but what external sources also influence or inspire you?
• I see strong conceptual pre-visualisation in the creation of your images, does the idea always survive the migration to the capture process?



If it’s hard to read from the images, read the full 27 page feature and interview here:

• View in browser…
• Download PDF…

Issue 37 | October 2014 , page 94-120

I want to give a shout-out to Tim Steele, for being such a nice person and a terrific editor to work with. Thank you!

You can find more issues of f11 Magazine here and find them on Facebook here.

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INTRIGUED BY CONCEPTUAL PHOTOGRAPHY?
Connect with me on Instagram for even more insight!